Before entering the last stage of their lives, Leonidas and Eudoxia moved back to the two-storey house in the alley off Deligiorgi Street, nearly ten years after they had first left it in the trying days of the German Occupation of Thessaloniki. They repossessed it after a chaotic period of unwilling relocations and financial despair that tested the family resilience. Along with Marios, the lanky and emaciated teenager, his sickly state blamed by Father to the privations and famine of the Occupation, and Father, now in secondary school, with a thin figure, too, but in better health, charming features and a bright mind, as well as a combustible temperament. He was an avid learner and determined to obtain a college and university education, which, he had considered a priceless asset ever since. He eventually got a degree and became a cultured and knowledgeable young man, full of ideas and bravado in his social circles.
In the early '60s, the family submitted
to calls of the times and handed their house to a constructor to erect a block
of apartments on its plot, in exchange of three flats -one for the
grandparents’ and their retirement, the other for their two sons and their
prospective families. There was a drive for the replanning and modernization of
major cities, instigated by statesman Karamanlis, in the face of the relentless
urbanisation that followed the war years. The grandparents’ house was built in the
late Ottoman Empire years and formerly owned by Turks, then offered by the
government to refugee families after the population exchanges of the 1910’s and
1920’s. Construction of the four-storey block of flats on the plot of the old
house lasted years: the productivity and efficiency of builders was still anaemic,
as it were for the Greek economy as a whole; construction of tall apartment
buildings, despite the frenetic pace in which they were springing up amongst
the old low dwellings of its Ottoman era became big business for decades, until
the skyline of the city was utterly transformed, and its historic legacy distorted
by faceless blocks of concrete.
My family had to wait to settle
down in our first very own flat. In the meantime, we had to relocate a few
times. My birth found us far from the later neighbourhood of my childhood on
the upper floor of an old apartment building at No 1 Spyros Louis Street, in an
alley at one of the corners of Navarino Square. Each time my home-city walks bring
me to the area, I do not fail to look upwards to the balcony of the fifth
floor, the flower pots and the clothes hanging from their lines –out of a
mysterious allure. As if I was paying homage to my birth. Behind the shutters, once
upon a time an insignificant human being began his life, something that would not
have concerned the tenants that succeeded us under the same roof. All
beginnings, even the unconscious or forgotten ones, carry secret traces of
nostalgia, whilst melancholy and sadness reigns at the conclusion of every
chapter of our lives, as much as sorrow at the very end of it.
My birth home must have been one
of the first modern block of flats built in pre-war Thessaloniki. It even
featured an elevator which Father brought up in conversations with auntie Lizza.
Because of one of the phobias, she and her sisters suffered from in abundance, she
refused to use it in her frequent visits to see her sister and the newborn baby.
Instead, she used to climb the five flights of stairs. She managed admirably, but
Lizza's out of breath ‘good morning’ greetings were answered by abrupt and ironic
comments from Father – an inappropriate response conforming to his personality.
Himself never climbed more than a few steps in his lifetime unless necessary.
I was still a toddler to remember
anything, when we moved into the brighter apartment of a building with its
façade and our balcony overlooking the broad and busy Constantinople Street,
the wide avenue below, with its hum of traffic of buses and cars, even trucks,
until late in the night. A photo of Father resting his elbows on the balcony
railings and staring across the street on a sunny spring morning was the only surviving
relic from that short tenancy. The extended family of Leonidas, with Mother and
myself, the now three-to-four-years-old toddler, reunited a few months later in
another apartment building, off the quieter Karaiskaki Street. We occupied
the more spacious and privileged second floor, the grandparents dwelled in the
smaller first floor flat below us, with young Marios, an occasional night-lodger
in one of their rooms during the years of his studies and military service.
There, below the major Delphi Street, Karaiskaki Street and the other
nearby streets that bore names of heroes of the Greek Ware of Independence
from the Ottomans in the 19th century: archimandrite Papaflessas, Commander
Athanasios Diakos, freedom fighter Andreas Zaimis, whose life stories
fascinated me in my primary school, in the same neighbourhood, where I began to
collect my first memories:
I remember… The butcher’s corner shop
across the street from our block and the brusque demands of Father for good quality
meat for his meat grinder. The greengrocer around the corner, on Delphi
Street, with the cunning face and smile under his moustache, who refused to
sell his precious bananas to any customer who did not regularly buy from his shop
a minimum of quantity of less exotic fruits and vegetables. An argument with
Mother forced her to shop greengroceries from further away and without the desirable
fruit amongst them. I remember the incident with the heavy bronze mortar and
its pestle that I threw from grandmother’s balcony. (She was looking after me during
Mother’s absence at work.) Accidentally or out of childish naivety or curiosity,
I do not know and it does not matter. What I know is that it caused a great
uproar and upset to grandmother and the eyewitness neighbours, the butcher
across amongst them, as it could easily have killed an unfortunate unsuspecting
pedestrian passing under the balcony. (An imaginary or hypothetical event,
however, potentially tragic, causes despair and hysteria among the easily perturbable
Greek common folk. Thus, the mortar incident became a family legend recounted
by grandmother until dementia wiped it off her memory.) I remember Mother
feeding me pan-fried liver or brains or yuvarlakia or a beef soup with a
strong celery flavour, all dishes considered nutritious and essential in a
growing child’s diet and, more importantly, liked and asked for by Father, but the
flavours and textures of which my untrained palate found repulsive. Yet that
was some of the food that I had to eat by force to the point of queasiness. I
remember the intrigues of my explorations of different corners of the rooms of
grandmother’s flat, lying and crawling on the wooden floors, under beds and
tables, in closets and wardrobes, organizing battles with my sets of miniature soldiers,
organising races with my toy cars. For a four-year-old child, a simple
unassumingly furnished room, with its dark corners and hideouts, and any kind
of object that could arises his curiosity and interest, and easily transformed
into an adventure world where a vivid imagination runs wild. I remember the
gifts that uncle Marios brought, his playful teasing, his participation in my
games; he might have loved me more than Father. I remember the allure of the Toumpa
stream, at the end of our lane, a few meters down from the main entrance to our
building, flowing under a bank of nettles and shrubs. In days of heavy rain, it
swelled with muddy water becoming a torrent, which I was itching to observe in its
fascinating wilderness, but strictly not allowed to approach.
The time would eventually come
for me to explore that fantasy stream. The flow of its muddy waters, perilously
approaching the banks and the streets, would have to wait for me at the bridge
of Deligiorgi Street, next to our old grandparents’ house, where another
modern, rectangular, a kind of an artless and shapeless brutalist form, block
of flats, had now been erected house our families. It was meant to be last home
of my grandparents and my last home before I reached adulthood. It is still
standing more than half a century after it was built, in the dark alley,
face-to-face and next other tall sister-buildings, thankfully most built after we
had been able to enjoy our childhood games in the open plots of neighbourhood,
devoid of cars streets, and its stream.
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